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News

States of Love

Stay Wild

Making art with 3 Fish Studios

Interview by Scrappers

Photos by Leslie Sophia Lindell

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3 Fish Studios was founded by two of the sweetest humans you’ll ever meet. Eric Rewitzer and Annie Galvin. Printmaker and painter. Husband and wife. 

Their studio is in Stay Wild’s favorite San Francisco neighborhood in the Outer Sunset called Ocean Beach (not San Diego’s Ocean Beach). The waves are very rideable (by cold water standards), the sidewalks are very skateable (cracked and sandy), and the people are very talkable (crazy talkable). It’s the perfect environment for a studio that nurtures creativity and helps people resist perfection. But don’t take our word for it, hear it from one of the fish’s mouth (Eric's mouth):

The 3 Fish name comes from Annie’s Irish family crest, which also has the phrase “By Industry We Prosper” on it. Have those 3 Fish come to represent something different as the years have gone by?

People sometimes ask us who the third fish is, assuming we are the first two fish—which is a funny assumption if you think about it. We didn’t start out self-identifying as fishes, but as the years have gone by, we have embraced the association. Annie is a salmon. Eric is a trout. Sometimes we say the third fish is Orlie, our wonderful assistant who has been with us for more than two years (she’s a guppy). But more likely the third fish is San Francisco, or our creative community, or the ocean, or the redwoods. 

Was 3 Fish Studios born from love?

Yes, love had a lot to do with it. We met in 1998, when we were both in other careers, and after a few years we thought, “Wouldn't it be great to do what we love to do every day, and do it with each other?” And 3 Fish Studios was born. 

What is love?

We think love is a connection to the beauty that surrounds us. We feel so lucky to live and work right by the ocean in the wonderful city of San Francisco. We bring love into everything we do, and we believe that it's why people respond to our work so much and want to take a piece home with them.

What are some challenges and triumphs of being married and in business together?

When we first started working at the studio full time together, it took a while to realize that we are both good at different things when it came to running the business, so we developed a division of labor that works for us and takes our individual strengths into account. I mean, we love to make art every day, but we are still running a business, so there are some less fun things we have to do, like paying bills and taxes! 

One thing we sometimes struggle with is talking about nothing but 3 Fish Studios when we are taking a walk or having a nice dinner out. It's easy to fall into the habit of talking about work all the time, so we really try not to.  

And the triumph that we each get to work with our favorite person every day! How great is that?

How do you divide up the art side of 3 Fish Studios?

Annie is a painter, and spends hours a day with a brush in hand making cards, collages, and works on canvas. When her paintings are done, Eric sets up a photo studio in our backyard on foggy Outer Sunset mornings, takes a shot with his Canon 6D, and uses that digital image to make archival prints of her work. While Eric paints too, most of his practice is devoted to printmaking. Eric hand carves all of his plates and pulls them one at a time on our 48” Conrad Machine monotype press. So not only is our work different, but our approaches differ, too. When we collaborate it is always fun, because we end up with something that neither of us would have done on our own.

Where did the bear hug series come from? Why do you think people connect with it so much?

Annie has been painting bears since a dream inspired her more than a dozen years ago. The first bears stood starkly in the woods, often with a little girl peering up in wonder, and sometimes the bear would be wearing a wrestling mask. Hey, we’re talking the subconscious here. We called this series Bears in Thoughtful Repose and people really started responding to them. The bears were always looking at something, on the edge of a profound thought, or processing something just said or done to them. While cuddly, they were always painted with fierce claws.  

Then about eight years ago, we stumbled upon a sheet music cover from 1913 for a song called “I Love You California.” It was a great discovery, and wonderful way to play with the bear design. We both were delighted the moment the first painting was done, and over the years, Annie has painted dozens of versions based on this revived image. People feel a great deal of love for California. Either they live here, have lived here in the past, or dream of living here. So a sweet bear giving the state a hug has really hit the right note with people all over the place, and we are thrilled to have played a role in reviving this iconic image. Many people have also been inspired to do work based on this image, but you can always tell ours by looking for the fierce claws. 

What do you love about leading workshops?

We love watching people go from nervous to confident over the course of the workshop. Some people have done a little printmaking when they were very young, usually in grade school. Back then they jumped right into it joyfully without being afraid of making mistakes. So to watch them rediscover that part of themselves is very rewarding. When they resist perfection and take their time, people are generally happy and proud of their finished print. 

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Join 3 Fish Studios for a print-making workshop at the EXPO Adventure Festival

Portland, Oregon, Aug 26-28, 2016. 

Tickets and more info HERE >>>

Scratch & Sniff

Stay Wild

Harvesting Wilderness Perfume with Juniper Ridge

Story & Photos by Justin “Scrappers” Morrison

He asked me to stuff my face into a hole in the dirt. “Turn off your brain and just breathe it in,” he said. I’d known Hall Newbegin for less than an hour, but did as he said—and it totally worked! With a few deep breaths I was set free from all the busyness in my brain. The odor of sticks, mud, and wild animal poop became a doorway to another world. It felt mysterious and oddly familiar, like the smell of birth and death at the same time. I fell in love with that dirty little hole.

Hall moaned orgasmically as he leaned in. “Mmmmmm… oh, Gawd. Mmmmmmmmm. Oh, Gawd! Mmmmm… OOOOH Gaaaaawd!” Spitting dirty pine needles out of his mouth and beard, he said, “It changes me almost immediately. I get my nose in here, and mmmmm… gawd, it’s just like a different thing. It’s not about your frontal lobe and exercising that adrenaline and exciting things. It’s about your animal senses and getting into your body. I find that nothing changes my brain the way dirt does. It’s just instantaneous. It’s got to be some deep evolutionary thing. It just instantly takes me someplace.”

This went on for about 20 minutes. Two grown men face down on the ground, inhaling dirt on the side of Mt. Hood. Just a typical day for the wilderness perfumers of Juniper Ridge

“If someone drives by they’re going to think we’re freaks, but who cares.” I agreed with Hall that this was some freaky shit, and I asked what the heck was in this dirt. It smelled like a taste and tasted like a feeling. It was so many things, I couldn’t put my finger on any one of them.

“It’s like that Lew Welch poem. ‘Draw a circle in the earth and there’s 10,000 things you’ll never know.’ There’s so much in there, so much. God knows what species of mycorrhizal mushrooms and critters and everything are in there. And if you go deeper or shallower, it’s always going to change. It’s a stew. It’s so many different things, and you can never nail it down. It’s kind of beautiful that way. I’m going to take some of this dirt back for distillation. Right out of this hole, because I like this hole.”

After harvesting dirt, we clipped spruce branches, picked sprigs of yarrow, and then got into the van to go up the mountain past the timberline.

The Juniper Ridge van, or “Field Lab,” is their mobile distillation unit loaded with all the stuff you need for putting a place’s smell into a bottle. “With all wilderness perfume, you’re getting the goo out of the plant. And there’s like a dozen different methods that we use. There’s steam distillation, cold temperature distillation, smoke distillation, enfleurage, infusion, tincturing… all those techniques are about getting the goo out of the plant.” 

The van helps them scout around for smelly plant goo. It’s how they’re able to make Sierra Lakes Basin cologne, Siskiyou deodorant, Topanga Canyon beard oil, and other products.  

As we drove up the mountain, I listened to Hall talk about the origins of Juniper Ridge. Before he started distilling plant goo and selling it at the Berkeley farmers’ market, he was simply a fan of the wilderness. One day when he was out smelling something wild, the thought hit him: “Whatever this is, I want to make it my thing.” So he set out to become a wilderness perfumer. But it’s not like they teach this stuff in school. It took him about 10 years to figure it out. The techniques are more than 100 years old, French, and were forgotten once petroleum made synthetic perfumes cheaper to produce. 

The next day Hall’s friend Tiandra Cummins joined our party, and we drove the van 10 miles deep into the woods above Trillium Lake. The road was so raw and bumpy that the windshield came unglued. Hall and Tiandra reached out the side windows to hold it in place as we pushed into the woods. 

Once we got to the trailhead, I was happy to be out of the van and started hiking. It took a while before I noticed that no one else was coming, so I headed back and found them hunched over, inspecting and identifying little plants and mushrooms. This wasn’t going to be an endurance hike. This was going to be some mellow quality time with nature.

Juniper Ridge loves nature. If they didn’t, they’d go out of business; you gotta have wilderness to make wilderness perfume. They give 10% of their yearly profits to groups like Oregon Wild, Ventana Wilderness Alliance, Friends of the Inyo, Pacific Crest Trail Association, Washington Wilderness Coalition, and others. It’s like paying a shepherd to protect sheep you plan to shear to make a wool blanket, except the sheep farm is open to the public and the sheep are feral. 

Along the trail, we came across a grove of noble fir trees. These trees get swollen sap blisters about an inch big all over their bark. You can cut them open with a knife, and the pitch oozes out right into an awaiting glass jar. It’s super easy to harvest and doesn’t hurt the tree. I popped one open and it squirted all over my face. “Money shot,” Hall laughed as he milked sap from another tree. It wasn’t sticky; it was oily and smelled so freaking good. Hall rubbed it on his face and beard. “This is the stuff that goes into our perfumes,” he said. 

When you consider how Juniper Ridge interacts with nature, it’s enough to make you want to join them. According to Hall, “Sometimes I feel it’s just half my job turning people onto this.”  


Join Juniper Ridge for a hike and workshop just like this one at the EXPO Adventure Festival in Portland, Oregon, Aug 26-28, 2016.

Tickets and more info HERE >>>

 



Coming Up Roses

Stay Wild

Photo by Alin Dragulin

Photo by Alin Dragulin

Ryan Jacob Smith  is an artist. His work has a timeless artifact quality to it, like paintings on stained, brittle old paper found a generation or two after being made by your scientific, artsy great uncle (the uncle with an eye patch). Ryan has shown in galleries like Upper Playground (San Francisco), Giant Robot (Los Angeles), Land (Portland), the Belfry (Seattle), and Cinders (New York). He has successfully navigated the commercial art world without becoming a tool. So I was surprised and excited to find out he started doing tattoos. Heck, I wanted one!

I’ve seen artists over the years get out of the feast-or-famine lifestyle with normal steady-paying jobs, like a musician giving up their music to become a tax accountant. But that’s not the case with Ryan. As a tattooer, his hands are constantly busy creating art. This isn’t a departure from making art—it’s his art growing in a new direction.

Ryan’s tattoos are inspired by traditional tattoo folk art (hat tip to George Burchett, Amund Dietzel, and Bert Grimm), mixed with modern urban folk art (chin up to Wes Lang, Margaret Kilgallen, and Barry McGee).

His tattoos are all black. This style keeps the design simple and works on all shades of skin. It’s all about strong line work, solid shading, and classic artwork that will age well with your body. 

Ryan tattoos moths, leaves, skulls, hands, roses, and other organic things. “You could draw a rose a hundred different ways and it’s still a rose.”

Photo by Alin Dragulin

Photo by Alin Dragulin

Citradelic Presents...

Stay Wild

Watch out for some epic Spring & Summer shows presented by our pals at New Belgium.

Win tickets to shows in Seattle, Portland, San Francisco, Los Angeles, and more... just keep en eye on your favorite social media lava flow to win: Twitter // Instagram // Facebook

This show series celebrates the music their new brew Citradelic makes in your mouth. Citradelic is a sweet & tangy dance of hops and tangerine bouncing on your tongue, getting way down, slapping the floor, grinding hard on the taste buds, like two trippy amoebas merging in and out of each other, and having way too much fun till the sun comes up...and..and..and... it's also good beer to drink.